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The Juilliard School
crash
2010; 1 dancer, 20 performers
music: Pan American |
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New Dances/Edition 2008
at The Juilliard School
because there isn't any
2008; 20 dancers, 2 musicans
music: The Lonely Greek, Café Vert, Accordeon Melancoligue
"...the abrupt bodily arcs and squiggles were
intrinsically musical and fascinatingly complex."
Roslyn Sulcas, The New York Times |
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The Juilliard School
blank
2008; 2 dancers
music: Biosphere |
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L'Opera Francais de New York
Castor et Pollux
2007; 2 dancers
music: Jean-Philippe Rameau
"fine choreography - a combination
of classical ballet and gentle
expressionism."
Robert
Levine, Classicstoday.com |
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Folkwang Hochschule,
Essen, Germany
felix
2007; 16 dancers
music: Michael Gordon
"....(felix)
happened to be the culmination of the evening; the audience was captured."
Werdener Nachrichten |
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AURA Dance Theater
blindfolded
2006; 10 dancers
music: Michael Gordon
"This piece is
difficult in its technique, but at the same time, it is a perfectly
concerted piece..."
Laisvalaikia Information, Laisvalaikis |
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Gymnasium Essen-Werden,
Germany
sediment 2
2005; 14 dancers
music: Johann Sebastian Bach |
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sediment
2005, 8 dancers
music: Johann Sebastian Bach
"Mr. Wieland has an un-obvious musicality that
allows the fragmented dance to work strangely well with the lush,
musical outpourings."
Roslyn Sulcas, The New York Times |
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Staatstheater Oldenburg,
Germany
Die Zehn Gebote
2005; 8 dancers
music: Espen Sommer Eide / Phonophani / alva noto
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Miro
Dance Theatre
for a moment your letter
would make a
strange room home
2005; 4 dancers
music: Pete Wyer
“Johannes Wieland’s choreography for
the final section sends dancing sparks flying with speed-demon urgency”
Lisa Kraus, The
Philadelphia Inquirer |
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Berkshire Theatre Festival
inner faun
2005; 2 dancers
music: Claude Debussy |
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PARADIGM
one
2004; 3 dancers
music: Alva Noto & Ryuichi Sakamoto
"Wieland's piece truly bridges the gap between generations"
Allison Tracy, The Berkshire Eagle |
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Hubbard Street II
reverse
2004; 2 dancers
music: Johann Sebastian Bach
"a duet of intrigue and
connection"
Molly Holm, TheaterScene.net
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Onassis International
Choreographic Competition
blueprint
2003; 4 dancers
music: Phonophani
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repertory acquisitions |
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The Juilliard School
shift
2009; 2 dancers
music: Michael Gordon |
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Zenon Dance Company
corrosion
2006; 8 dancers
music: Espen Sommer Eide / Phonophani
"the topsy-turvy world of human relationships with all its betrayals was expressed"
Anna Kisselgoff, The New York Times |
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Marymount Manhattan College
parietal region
2006; 5 dancers
music: Espen Sommer Eide / Phonophani
"repetition of movement and
repetition of memory resonated with affect"
Richard C. Skidomore, The Martha's Vineyard Times |
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